The process is integral and is one of concentrated, open-minded patience, requiring me to stay alert to paint (viscosity, brush loading, etc) and compositional characteristics in much the same way as fully abstract works demand. These cannot be rushed, nor the movements/marks allowed to become repetitively mechanical. To do so would be to undermine the intention of the work.
The works initially appear highly decorative and orderly – feathers mean birds. But on closer inspection, these are not any birds you’d recognise. Their physiology is different (wrong? altered?). The colours and intensity are emotive, the mark-making intense. These irregularities draw you in, encourage observation and contemplation. But ultimately you are released to once again to simply enjoy the decorative qualities of these jewels.
That they are designed to be hung at any angle, allows the image to be changed/refreshed at will. This allows the viewer input into the relationship each work has with its surroundings. The round paintings are very effective in groupings, allowing differences between the works to intensify each other.

Works in detail

About Process Slideshows

I am often questioned about my process, which can be variable and complicated to answer. I know the value of demonstrating, above talking about process and technique.
The Process slideshows have a dual purpose.
•    To demystify. By showing both planned and spontaneous decisions, macro and micro mark-making, blocking in and finishing, etc., the process is revealed.
•    To illustrate the breadth of skills, time, patience and persistence required to create a work.
There is more, of course. The drive – the impulse to create and communicate. The development of concepts, ideas, compositions, colour pallets and mastery of media (ongoing) are not shown, but hopefully can be glimpsed in the works.